I am often accused of not liking modern church music
because I 'don't get it.' There may be something to that. But it's probably
more a question of waiting for something to speak to my soul and spirit the way
these words do:
"My hope is built on nothing less than Jesus' blood and
righteousness
I dare not trust a sweeter frame, but wholly lean on Jesus' Name.
On Christ the solid rock I stand, all other ground is sinking sand...
all other ground is sinking sand."
Modern "worship" leaders so often mix
songs of praise, worship songs, the 'psalms, hymns and spiritual songs' of
which Paul speaks in his letter to the church at Ephesus, under the broad
banner of 'worship' to an apparently hard of hearing God, that is it is patently
clear the worship leaders don't know what the differences are and can hardly be
expected to lead that which they don't 'get'. and then there are the words of
Edward Mote, the son of a London pub owner, who wrote what is by all
definition, from the first verse to the last chorus, a simple hymn of grace
In Mote's own words:
"One
morning it came into my mind as I went to labour, to write an hymn on the
‘Gracious Experience of a Christian.’ As I went up Holborn I had the chorus,
‘On Christ the solid Rock I stand,
All other ground is sinking sand.’
"In the
day I had four first verses complete, and wrote them off. On the Sabbath following
I met brother King as I came out of Lisle Street Meeting…who informed me
that his wife was very ill, and asked me to call and see her. I had an early
tea, and called afterwards. He said that it was his usual custom to sing a
hymn, read a portion, and engage in prayer, before he went to meeting. He
looked for his hymn-book but could find it nowhere. I said, ‘I have some verses
in my pocket; if he liked, we would sing them.’ We did, and his wife enjoyed
them so much, that after service he asked me, as a favour, to leave a copy
of them for his wife. I went home, and by the fireside composed the last two
verses, wrote the whole off, and took them to sister King…As these verses so
met the dying woman’s case, my attention to them was the more arrested,
and I had a thousand printed for distribution. I sent one to the Spiritual
Magazine, without my initials, which appeared some time after this. Brother
Rees, of Crown Street, Soho, brought out an edition of hymns [1836], and this
hymn was in it. David Denham introduced it [1837] with Rees’ name, and
others after…Your inserting this brief outline may in future shield me
from the charge of stealth, and be a vindication of truthfulness in my connection
with the Church of God."
~ Edward Mote
Letter to the Gospel Herald
Were he alive today, Edward Mote probably wouldn't
'get it' either, but thank God he 'got it' where the simple truth of the saving
grace of God through repentance and faith in the shed blood of Jesus is
concerned. And with Pastor Mote I sing,
"On Christ the solid rock I stand, all other ground is sinking
sand...
all other ground is sinking sand."
So I suppose it boils down to m I hanging on to tradition for tradition
sake, and therefore, for tradition’s sake, rejecting anything and everything ‘new’
out of hand because in the end, I really don’t ‘get it’. I didn’t ‘get’ the old stuff by that measure
either, if I’m being honest.
No, there must be an objective, immutable means of measuring the sacred
validity of the concept of what is or is not worship music, and it can no more
be popular culture, which is itself prone to fly here and there with each new
trendy thing that comes along, than it can be established by my judgment, for
the admitted opposite reason – rigid inflexibility. There must be something more in a place where
one does not invalidate the other and each recognizes that its passing fancy
cannot realistically be the exclusive norm, either. After all, even though VH-1 named it the
number 1 one-hit wonder of all time, who among us really wishes ‘Macarena’ was
still a permanent part of our party going experience in 2014?
For something more definitive, and critically so for the Christ
follower, the only place an answer can be found is the Bible.
Paul said is time Ephesians 5:18-20 (NIV) Do not get drunk on wine, which leads to debauchery. Instead, be filled
with the Spirit. Speak to one another with psalms, hymns and spiritual songs.
Sing and make music in your heart to the Lord, always giving thanks to God the
Father for everything, in the name of our Lord Jesus Christ.
This Scripture has several key words in the original Greek which help
clarify things, I think.
That very first phrase in verse 18 – ‘Do not get drunk on wine, which leads
to debauchery’. The phrase ‘get drunk’ isn’t really about alcohol or imbibing.
It is, rather, a metaphor for control, or more to the point, losing control to
something. In the specific metaphor, Paul speaks of drinking wine to the point
of excess – where the wine controls you. Paul contrasts this in the very next
statement Instead, be filled (controlled) with (by) the Spirit.
‘Be Filled’, the Greek here is playro’o, is a direct contradistinction to
‘be drunk’ or ‘be controlled’. It is in a voice and tense that suggests that
the reader is to be in a constant state of being replenished and controlled by
the Holy Spirit of God; the third member of the Godhead or triunity (a word I
like in preference to the more commonly used term trinity).
Next, Paul instructs his readers to ‘Speak to one another with psalms, hymns
and spiritual songs. Sing and make music in your heart to the Lord, always
giving thanks to God the Father for everything, in the name of our Lord Jesus
Christ., which is the other point of our friendly disagreement.
Three different words are used with reference to how we use music when we
approach God. They have different etymology and are not interchangeable,
although our tendency is to do just that.
First, the word translated Psalms. In the original, it is Psal-mos.
Literally, it means the book of the Psalms in the Old Testament. More generally
it means ‘scripture.’ Since the text begins with the word ‘speaking’, the
context calls for two distinctly different, yet contextually similar ideas.
Preaching the Word to each other, and singing the Word to each other. In other
words, use the text of Scripture in your singing just as you would in your
preaching.
The second word is translated ‘hymns.’ It is the Greek word humnos – from
the older, hudeo, and it means to bring praises in singing. These are praise
songs, and are an entirely different genre from psalms used in singing,
although Psalms (Scripture songs) can include Praise and Worship songs.
Third is the word spiritual songs,’ from the Greek words pneumatikos, which
means literally breathed by the Holy Spirit, and ‘oday’, which means ‘to sing
in an attitude of reverence.’ In other words, these are worship songs.
Preached (spoken) and sung Scripture, songs of praise, and songs of worship.
Each existing separately, yet harmoniously in the instruction of the Apostle as
he teaches us about the way we are to approach the Almighty, Omniscient God of
Eternity in our worship of Him. Each different. Each distinct. Each a necessary
part. And, I can’t help but notice that in each case the focus is on God, the
Creator, and not man, the creation.
And to think – the Psalmist, on top of all that – this has been about our
voices in praise and worship - in the 150th Psalm, gave us an orchestra with
which to accompany our singing.
It is important to note that order and distinction are significant in God’s
Word. These terms and forms function in harmony, but they are not synonymous.
Praise is not Worship. Scripture is not personal testimony or experience. There
is order to God’s plan and to lead we must first understand.
So, reflecting back on Edward Mote’s hymn, one
must conclude that the question is not nor has it ever been one of Hymns OR the
new stuff. The question is, if you are calling it Worship music, does it fit
the Biblical definition of Worship music, i.e., do the words and music (a)
worship God) and (b) bring about an attitude of worship in others? And by this
I mean worshiping God as opposed to praising God (two different things), and
more importantly, worshiping or praising GOD or worshiping/praising (drawing
attention to) ME (and my performance as worship leader)? Most church music
today is just loud, self-gratifying music that stirs emotions as loudly as
possible ( as if God is hard of hearing) and focuses attention not on God, but
on the performance skills of the worship leader and his/her ability to stir
your emotions. That's true whether it's done with old hymns or the k-love top
40.